In a court trial, Joan of Arc is charged with high treason ... Dmitri Cherniakov presents a modern reinterpretation of Tchaikovsky’s least frequently performed opera, set entirely in a courtroom, with soprano Elena Stikhina in the title role.

The Maid of Orleans is an opera in 4 acts, 6 scenes, by Pyotr Ilyich Tchaikovsky. It was composed during 1878–1879 to a Russian libretto by the composer, based on several sources: Friedrich Schiller's The Maid of Orleans.

Rebecca Spielman, a young film school graduate travels to Paris to work as the assistant to the brilliant, yet tortured up-and-coming director Sammy Lindberg. As the production of Sammy’s new “Joan of Arc” movie ramps up, Rebecca finds herself struggling to satisfy the growing maze of demands made by her new boss, all the while, caught in a tangled web of passion and allegiance.

Iván Fischer makes his DNO debut. He conducts the Royal Concertgebouw Orchestra. Pierre Audi, artistic director of DNO and the Holland Festival, directs his first new DNO production since Saint François d'Assise (2008). For Parsifal Audi once again joins forces with the British sculptor Anish Kapoor (décor). Alejandro Marco-Buhrmester previously sang the role of Amfortas at the Opéra National de Paris and the Bayreuther Festspiele. Kurt Rydl (Titurel/Klingsor) made previous DNO appearances as Hagen/Hunding in Der Ring des Nibelungen and as Heinrich in Lohengrin. Kurt Rydl has been an honorary member of the Wiener Staatsoper since 1999. Falk Struckmann has frequently sung the role of Amfortas, but now makes his first DNO appearance in his role debut as Gurnemanz. The title role is sung by Christopher Ventris, who previously appeared at DNO as Steuermann in Der fliegende Holländer. Petra Lang (Kundry) previously sang Brangäne in Tristan und Isolde and Venus in Tannhäuser at DNO.

Described by Tchaikovsky as ‘lyric scenes’, Eugene Onegin receives a spectacular reinterpretation from the Norwegian director Stefan Herheim. His productions create controversy and excitement around Europe, and here he takes Pushkin’s story of illusion, disaffection and frustrated love, and places the protagonists – world-weary Onegin and naïve, passionate Tatyana – in a triple temporal perspective, referencing the theatrical present, the period of the work’s composition, and the pageant of Russia’s history. Mariss Jansons, renowned for his mastery of Tchaikovsky’s symphonies, conducts this performance from Amsterdam’s Muziektheater.

The former corsair Simon Boccanegra has risen to power in Genoa but carries the burden of personal loss and old rivalries. He is unexpectedly reunited with his long-lost daughter, and their renewed bond becomes entangled with conflicts involving noble families, love and revenge. Simon struggles to preserve peace in the city while protecting those closest to him. Can he overcome betrayal and reconcile the forces tearing his world apart before it is too late?

Wolfgang Amadeus Mozart and Lorenzo da Ponte's renowned opera "Don Giovanni" -- based on the legend of lothario Don Juan -- springs to life in this witty production by De Nederlandse Opera under the baton of maestro Ingo Metzmacher. As Don Giovanni (Pietro Spagnoli) pursues numerous women, a recent conquest tries to thwart his efforts. The outstanding cast also includes soprano Charlotte Margiono, bass Mario Luperi and tenor Marcel Reijans.

English National Opera’s sparkling production of the much-loved Gilbert and Sullivan classic, set in the Tower of London of the 1950s.

A chance to see director Jonathan Miller at work on his acclaimed staging of Gilbert and Sullivan's famous comic opera.

Based on the opera of the same name by N. Rimsky-Korsakov and the drama by L. May.